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Song 3 incorporates more bluesy bending along with chromatic lines.
It also focuses on the mid-upper register of the neck, from the 9-15 frets.
The second half at bar 19 again mirrors the opening line but changes the rhythm by adding an 8th note rest at the beginning of bar 20 to change the phrasing.
There is a similar motif throughout the song but I try to phrase it a little differently in each bar.
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