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Song 5 starts out by playing some good arrpegio shapes in the upper register of the neck.
Bar 3 is a little tricky because instead of playing the 3rd note as A (the standard major triad shape) I play G# on the 9th fret making it a Major7 arpeggio.
When you switch from the 9th fret on the E string to the 9th fret on the B string try not to bar these notes with your first finger,
this may cause them to slur together. You want to make the notes clear and seperate.
There are also a lot off pull-off's in this song so it is good for strengthening your left hand.
Starting at bar 11 it's continuous 8th note triplets, a good challenge to get all the notes to come out clearly
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