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Song 7 starts with arpeggio lines and bends combined together. Also 8th note lines mixed with 8th note triplets to mix it up a little bit.
Bar 22 is very "Larry Carlton" sounding. The half step bend down is tricky because you only want to hear the bend coming down, not going up.
These type of bends are good at giving the guitar a singing quality. Bar 33 has a nice pentatonic style run. The outro lick is played very legato, almost like a saxophone tone.
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